As part of a sequential workflow, the colorist handles a specific section of the pipeline. Each stage might be handled by one person or multiple people, but there’s a clear differentiation between the various stages. The sequential approach is a more conventional workflow with each stage of post production being handled in order.įrom creating proxies, breaking down footage, screening, editing, motion graphics, color grading, VFX, online and delivery. Typically, the project stays with a one-person generalist from start to finish, and you’ll often find it found in projects like wedding videos, music videos, corporate videos, or sometimes even independent films or YouTube videos.

This type of workflow is more common among smaller production companies or independent shooter/editor scenarios. The indie movie Currency was created using an all in one workflow in DaVinci Resolve.

Usually, this means working with original camera files, creating graphics as you go, working on VFX as needed, crafting an audio mix from original sources, and rendering out a final timeline directly from the same project. The all in one approach basically means dumping in source media and going to town without much pre-planning or separation of post production tasks. Let’s start by considering the approach you’ll be taking, as this will help to define the tools that fit the task.

So in this article, we’ll be taking a look at how to use the tools provided by DaVinci Resolve to get more out of the machine that you have. Top-tier work is created on older hardware all the time. When our computers start to buckle under the strain, our first response is often to replace them with something faster. Deadlines are shorter, render times longer, and stress is higher. Over the past 17 years, DaVinci Resolve has evolved from a color grading application reserved for high-end facilities into an editorial, VFX, audio mixing, color grading multitool.ĭuring the same period, file-based workflows, the democratization of software, and the internet have all led to workflows that are very different from traditional film and tape.īut these changes have brought with them a high degree of pressure and raised expectations around delivery.

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